Woodland Wool: Gravity Rides Everything

4/29/10

Gravity Rides Everything

Inside my journal from when I was 21 I found a cut-up I did of a photo I took after creating a series of boob prints.

One of these prints, the left boob, still hangs above our bed. The other dons a wall in the new home of my old roommate, the soon to be Mrs. MacDonald. I've always wondered just how many people have actually seen my breasts?

After I did this cut up I hid it away due to the fact that my breast looked, well... wall-eyed and certainly not their best to say the least.

10 years later I'm just happy to have found the image again. Also I realize just how true it is - gravity really does ride everything.

2 comments:

Justosaurus said...: I haven't seen your breasts...........; May 13, 2010 at 12:41 AM
Tacha Reed said...: well now you have.... well, sorta :); May 13, 2010 at 8:24 AM

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Working in the arts has always been in the cards for me. After a childhood filled with time spent creating using what ever materials available, it was no surprise that by the age of seven I was firmly committed to living the life of an artist as I grew up.

After attending specialized art classes as a teen, I began my post secondary education studying photography and digital imaging, before shifting my focus towards graphic design, printmaking and film studies, eventually receiving a BFA from the Nova Scotia College of Art and Design in 2003.

Upon graduation I began teaching art to elementary students, and for over two decades I have continued to work as a freelance photographer and designer, collaborating with many musicians, entrepreneurs and not-for-profit organizations.

Since relocating to the tiny community of Ellershouse over a decade ago, my artistic practice has grown to include the creation of tactile fine artworks and products that make use of natural and recycled materials. These days I primarily create using wool from local British milking sheep raised in Avondale, which I carefully hand dye prior to transforming the fibre into vibrant felted wall hangings and functional items like hats and purses.

After taking on the role of facility manager for the Avon River Heritage Society Museum in 2013, the tidal river that surrounds the historic waterfront park became an ongoing source of inspiration for my artwork, especially evident in my 2019 felted series ADAPT, my graphic print Year of the Salmon, and the corresponding installation Ghost Salmon, which was placed along Simpson's Creek in Newport Landing in June of 2019.

When I'm not working or creating I continue to pass along my skills and knowledge by leading fibre art workshops and demonstrations, and by actively volunteering with groups like the Avon River Arts Society and the Full Circle Festival, organizing cultural events and activities.