Showing posts with label fibre. Show all posts
Showing posts with label fibre. Show all posts

1/20/17

Force


Once, a long time ago, I imagined if I were to be a part of nature, what would I want to be? After much thought I chose the shoreline. For some reason the area that spent half its time above land and half its time below appealed to me most.

Perhaps this is why the sudden death of hundreds of thousands of herring touched me so... and why, when a month later starfish, lobster, crabs, scallops and many other sea creatures also decorated the shores of St Mary's Bay in Digby, I felt my heart fracture a little more.

When I first heard that our province planned to install a turbine along the Bay of Fundy I was instantly frustrated. To me it seems incredibly irresponsible to put a machine that generates that much force next to a fissure in the earth's crust.  Seems insane actually, like you're asking for trouble.

When the herring first came ashore last November I wanted to blame the turbine. Then, when I read that the deaths correlated with the flipping of the switch , which had begun uploading the gathered energy to the grid, I felt that I had my confirmation. When it happened again on December 16th I wanted to demand to the powers that be that the turbines be shut down that moment. 

But who am I and what do I know?
Since then I've read a great deal of articles, and now my mind is also questioning the dangers of sound waves. I think I can honestly say that I admire Nikola Tesla above all men, thanks to his brilliant mind and inventions we're aware of the positive and negative results caused by sound waves being released into the atmosphere; in some cases causing small birds to fall from the sky and earthquakes below. I have a mild fascination with conspiracy theories, taking them all with a grain of salt and I've read  about HAARP

I hadn't thought of sound waves in relation to the turbine beforehand and have since added another hefty check to my "con" list.

Inquiry into the cause of the massacre has seemed to have lost momentum since it was reported that Digby fisherman have attributed a rapid change in temperature  as a probable cause for the November incident. The public has apparently accepted this and I've heard of no further explanation as to the multiple species deaths in December. Recently the Chronicle Herald shared a story (which conveniently makes no mention of the 2nd more devastating occurrence) claiming a "confluence of events" as the cause.

I've found myself asking many questions since December, like was there a switch flipped again on the 16th? I have a hard time accepting temperature change as being responsible for the deaths of so many bottom dwelling creatures. Did they start uploading power to the grid again? Will they ever even tell us if they did? Will it happen again the next time they try to upload?

Since I'm unable to get answers to my questions I've had to work through my emotions the only way I know how, I felt them out!


Over the last few year's Argyle Fine Art's annual Pre-shrunk show has become part of my regular routine; it forces me to really push myself and try something new, playing extreme attention to the details. I've taught myself many new techniques coming up with these miniatures each year.

Normally I portray whimsical scenes, mostly landscapes with playful animals, but this year I've found myself in a more of a somber mood. In addition to the sea creatures my dear friend Kristie Sheehy, my inspiration for Serious Sirius, recently passed after an unfortunate accident. 

Kristie and I had a special connection and it is with her in mind that I begin my 3rd installment on my Serious Sirius series; A Force of Nature.

Before I got started on this piece I felt the need to create a tribute to the creatures that recently passed. I now consider my quadriptych "Force"  a prequel to my most recent continuation in the saga of of our ancestors and our guardians, the whales of Sirius .
 
As I brainstormed individual names for each of the 4 segments of "Force" I inadvertently  wrote this song, my first ever in fact. I may not have come up with titles for my individual "pre-shrunk" pieces, but I think this song sums up how I feel these days.



Force
Was this a force of nature?
Or was it caused by FORCE?
Can't be forced
to bite my tongue.
Can't be forced
to accept it
as
coincidence
as
coincidence
the sea is spilling over
it's creatures upon dry land
the earth has started shakin'
the air is moving past

Is this a force of nature?
Or is it caused by FORCE?
I can too
me and you
be
a force of nature
we're (all)
a force of nature

the stones are turning over
there's evidence everywhere
why won't you
admit it's true
it's more
than a force of nature
you've forced
the course of nature

2/22/14

Inspired

I keep floating back and forth between big and little feltscapes... when the big one gets a little over whelming I take a day off and start something small.

This week I've been incredibly productive. Last Saturday I woke up and went to work on adding the finishing touches to my last piece for the Hants County Arts Council's Annual Group Showcase at the Bread Gallery in Brooklyn. This was our first time hosting an opening in the afternoon and I think it's safe to say it was very successful with many new and familiar faces attending the opening.

For me the highlight of the afternoon was receiving a giant shopping bag of wool from fellow fibre artist Rose Marie MacDonald. 

Did I mention I had mistaken the deadline for the Swoon group show and it was also February the 15th... so not only did I wake up felting, I finished out the weekend hooking (Brandt the sweetheart gave me a days extension). 

I don't think it was even 4 hours before I finally had the chance to go through Marie's bag of goodies. Within a few minutes of exploring I was back at it, completely inspired to make use of my new found fibre bounty!
 
Mister checking out my new bag of loot from Marie!

Since I was quite low on many a shade of roving (almost out of blues entirely) I decided to make use of what I did have - black and a lovely lapis lazuli blend by the Uber Wench.

I experimented by starting with the shadows and slowly built up my night sky. I have a habit of starting a piece by working upside down and putting my sky in on the bottom, and then eventually I flip it. I wasn't long into this piece before I decided not to flip my canvas and my dark sky became a wild ocean.






At one point I was going to add white caps but I resisted, and Bryan kept me from adding a fish. With every piece I create I like to live with it for a little while. As I got used to my fishing boat I decided to get past my urge for white caps and giant jumping fish and I made a little "Big Tuna".





The last few days I've been working on a feltscape inspired by the latest handbill for the Bread Gallery, also a Carol Morrison original. Hopefully my 3-D wall hanging will be a fitting tribute to this beauty! This piece will no doubt make an appearance at the 16th annual Great Little Art Show, May 9th - 11th, at the Avon River Heritage Society Museum in Newport Landing, NS.



This showcase features work by myself, Carol Morrison, G. A. Jank
and nearly 20 other members of the Hants County Arts Council.
 
Getting ready to stitch on the foreground of my latest 3-D feltscape ,
inspired once again by the plien air paintings of Carol Morrison.

 

Sometime I just need to sit beside the piece in low light
and map out where I'm going to put the next layers


I'll keep you posted on my progress...

2/21/14

Hooked on Swoon

 
 



I was beyond excited when I heard about this group show. I've always been a fan of the paintings of Carol Morrison; her plien air studies of our Nova Scotian landscape truly capture the simple beauty of the area I like to call home. So when I heard about this challenge, I jumped in feet first!
 
 
This juried event, asked rug hookers to choose a piece by a Swoon artist as their inspiration. Both the inspiration piece and the hooked work will be shown together in this unique show.


 
 
Carol Morrison's Pumpkin Paddler, 2013
My rendition of Carol Morrison's pumpkin paddler.

 
 
Last summer I was fortunate enough to organize a show for Carol at the Bread Gallery in Brooklyn along with metal sculptor G. A. Jank. Since August I have carried around copy of their handbill in my car, simply because I love the image so much.
 
I was so impressed by Carol's collection of work based on Hants County that when Brant Eisner, Swoon's director, put out the call to artists for a group show  I knew right away I wanted to hook Carol's paintings... in fact I didn't want to hook just one... I had 3 images in mind that I just knew I had to translate into fibre!
 

 

I'm not kidding about my excitement.... I started hooking the White Cliffs, St Croix River on Christmas Eve... I just couldn't stop myself!

 
 
 
 
My work in progress of the White Cliffs of Saint Croix.
My inspiration for the White Cliff of Saint Croix by Carol Morrison.
 

Now that these two are finished I want to attempt one of her back lit winter scenes...

 
 

Hooked On Swoon – A group show of hooked work, inspired by Swoon artists!



Show Runs: Sat, March 01, 2014 - 2:00pm to Sat, March 29, 2014 - 6:00pm

Opening Reception: Sat, March 01, 2014 - 2:00pm to 5:00pm
  



 
 
Please join us for the opening reception Saturday, March 1st from 2 – 5 pm.




 

Swoon Fine Art and Antiques
 
1410 Hammonds Plains Road
Hammonds Plains, NS
B4B 1P6 
 
   
Hours:
Monday - Friday: 12 - 6
Saturday: 10 - 6
Sunday: Closed